Diversity Learning Curve

There is no power for change greater than a community discovering what it cares about.

Change always involves a dark night when everything falls apart.

Margaret J. Wheatley
Diversity of hats gifted to shelter in 2016

Because I am white and carry all the systemic privileges (and community isolation) of being white, I am systematically attempting to teach myself about knitters and designers who are not white, in order to break out of my bubble of awareness. Currently I am of limited purchasing power so plans are on hold, but it is my intention to broaden the scope of my future pattern and yarn choices and support folks whose work has up to now escaped my white gaze.

To this end, I want to be yet another blog to share this eye-opening dissertation by Lorna Hamilton-Brown titled, “Myth: Black People Don’t Knit”. What I especially love, along with all the visuals she compiles, is the oral history obtained from elders and colleagues suggesting people in many non-white cultures of the world have been knitting resourcefully using whatever materials available for much longer than is widely appreciated.

Lorna’s contribution to historical understanding inspires me to offer my services as a professional transcriptionist accustomed to listening to a wide range of dialects, should anyone need assistance in capturing recorded oral histories for further work on the topic of piecing (knitting) together the history of knitting from a much broader perspective than white European-American. Just hit me up if you are a historian or researcher or just plain passionate knitter interested in interviewing people, and I will happily transcribe the interviews for you.

I am grateful to Jeanette Sloan in compiling her list of POC designers and crafters. No one single person could make an exhaustive list, but her dedication to offering this to others while living a very full life inspires me.

CarpeYarn.com is a wonderful treasure trove of interviews with Craftivists and ways to support “makers, stores and people worldwide who inspire us.”

All these resources expand my view of intentional use of any craft and give me lots to incubate in contemplating how to best use my own future designs and participate in lifting others alongside myself in some way.

FOOD FOR THOUGHT WITH MY OWN FORM OF DIVERSITY

As a woman only beginning to accept my place in the neurodiverse community with self-diagnosis, I am also interested in using my craft to support organizations specifically researching how autism spectrum presents in women and breaking down barriers to informed diagnosis and support for women.

Part of my knitting obsession and skill I feel is directly related to autism, because for me, it has paralleled periods of heightened anxiety. Since shifts in America since November 2016, for example, my knitting has reached new heights because I have spent more and more time with it. While all humans have some form of self-soothing or stimming and many knitters say they knit to soothe, the need to stim is apparently more exaggerated in autistic people and absolutely essential to mental health. If I can’t move my hands, I notice tension and anxiety slowly rising. Knitting fits the bill perfectly because it allows socially acceptable stimming and even social interaction without eye contact. Food for thought.

It is still not fully clear to me whether fitting my life’s experiences into a convenient self-diagnosis based on strong “yes” on three online autism quizzes (in no way diagnostic) and lots of life review is valid to anyone but myself, but regardless, I hold vision of a day when it is safe for all people to be authentically who they are and make it in this world.

Pausing to Honor

Sharing a favorite e-book by two talented women who translated shawl patterns from the past into present day usage. I have long wanted to make “A Shawl For Aunt Harriet,” a modernized version of the shawl gifted to Harriet Tubman by Queen Victoria in 1897.

Donna Druchunas’ jaw-dropping work and the entire Stories in Stitches set can be ordered on Ravelry. When I try the link to her website it appears no longer available, but I did order my copy of Stories in Stitches in e-book form there.

If you would like to see a photo of the original shawl preserved by descendants and then donated to the museum in 2009, look here. And to see photos of a younger Ms. Tubman, here.

1/30/19 – Sunset down my street, the real deal, no filter

Over the next weeks, I will highlight on this blog patterns by designers of color whose work I admire. I will be taking a pause from my own knitting in February to preserve and ice my arms and continue as I did in January transcribing 70 hours/week in order to attempt to move in 2019 to a less restricted financial space. The next step in my knitting evolution will be obtaining coaching, software and accountability around design process, so that requires investment. But this year is also about getting by and working toward finding a place to live. Starting March, I’m excited to work regular shifts in my food bank garden to get my hands in Earth, work for glorious veggies, and have better activity counterpoint to all my sedentary work.

When the crazies get you down, just remember:

(Unknown source, thanks to Molly in knitting group)